Television soundtracks are no longer just background noise. A new breed of music supervisors is taking TV to thrilling new heights with anachronistic soundtracks, blending genres and eras to create a truly unique viewing experience. From the metal-infused world of *SAS Rogue Heroes* to the dad rock vibes of *The Bear*, the power of music placement is undeniable.
The Rise of the Music Supervisor
There was a time, not so long ago, when music supervisors held immense power. Before streaming services dominated the landscape, a well-placed song in a hit show could launch a career. Alexandra Patsavas, known for her work on *Grey’s Anatomy*, became a household name. In fact, Lena Dunham's *Girls* even featured a storyline about characters dreaming of getting their song approved by Patsavas.
While music supervisors may no longer have the same power to create overnight sensations, their work is arguably more imaginative than ever. Think about how often you Shazam a song while watching TV or check Spotify for a show's soundtrack. The ability to instantly discover and engage with the music elevates the viewing experience.
Needle Drops and Social Media Buzz
A perfectly timed "needle drop" – the moment a featured song begins playing – can be a powerful promotional tool. These moments often go viral on social media, driving further interest in the show and its soundtrack. The clever use of AC/DC and Motörhead in settings where you least expect it has become a signature element of some of the most talked-about shows.
“They put me on hold, and it was Stargazing playing. Those are the types of things that still seem absolutely bizarre.” That's what UK singer Myles Smith said about hearing his song on hold when calling a utilities company. It's a testament to how widespread music can become, thanks in part to its clever integration into television and film.
The Future of TV Soundtracks
The anachronistic soundtracks we're seeing in shows like *Peaky Blinders* (featuring PJ Harvey) and *Snowfall* (with its incredible collection of early 1980s Black American music) demonstrate the power of music to transport us to different times and places. Music supervisors are no longer just selecting songs; they're crafting sonic landscapes that enhance the narrative and deepen our connection to the characters and stories. The creative possibilities are endless, and we can't wait to see – and hear – what's next.
"The work of music supervisors these days is more imaginative than it has ever been, and it can be highlighted in ways it never was before."
Whether it's the hard-hitting metal of *SAS Rogue Heroes* or the nostalgic dad rock of *The Bear*, the innovative use of music in television is transforming the way we experience storytelling. So, next time you're watching your favorite show, pay close attention to the soundtrack – you might just discover your new favorite artist.