London's vibrant theatre scene is seeing exciting developments, with new leadership at the Bush Theatre and a celebrated revival at the National Theatre. This article explores both, offering a glimpse into the evolving landscape of British theatre.
Taio Lawson to Lead the Bush Theatre
The Bush Theatre in west London has announced Taio Lawson as its new artistic director and co-CEO. Lawson will be taking over from Lynette Linton, who is departing after six years. The Bush Theatre is known for its dedication to nurturing new playwrights and fostering original narratives. Lawson's appointment signals a commitment to continuing this legacy. He will work alongside Mimi Findlay, sharing the co-CEO role.
Lawson expressed his enthusiasm for the new role, stating he was honoured to be taking over “at a time when the need for enduring original narratives is so important”. He praised Linton and associate artistic director Daniel Bailey, who has also stepped down, and pledged to build on their achievements. His vision includes programming "bold pieces that speak to our hearts and stimulate our minds, that both comfort and challenge us". His first season is expected early next year.
"Alterations" at the National Theatre: A Tailoring Comedy
Meanwhile, at the National Theatre's Lyttelton theatre, Michael Abbensetts’ play "Alterations" is receiving acclaim. Elegantly directed by Lynette Linton, the play explores themes of home and identity through the lives of characters working in a tailor's shop.
This comedy, originally staged in 1978, reflects Abbensetts' signature style, blending humor with social commentary. It's reminiscent of his groundbreaking TV show, "Empire Road," which made him the first Black British writer to have a series commissioned by the BBC. "Alterations" delves into the lives of characters striving to complete a sewing order in their cramped tailor's shop, a safe haven from a racially hostile Britain.
The play, excavated from the National Theatre’s Black Plays Archive and enhanced by Trish Cooke, offers a poignant glimpse into their lives. The characters work, talk, dream, and find camaraderie amidst the challenges they face. The set design by Frankie Bradshaw perfectly captures the atmosphere of the bustling, yet intimate tailor's shop.
The review highlights the play's ability to balance comedy with deeper reflections on belonging, echoing themes found in Sam Selvon’s "lonely Londoners."
"Abbensetts’ tone is more comic, but with the same undertow of meditative questioning about a sense of 'home'."
Both Lawson's appointment at the Bush Theatre and the revival of "Alterations" at the National Theatre showcase the dynamic and evolving nature of London's theatre scene. They highlight a commitment to both nurturing new talent and celebrating the rich history of British playwrights.
These developments promise exciting times ahead for theatregoers in London and beyond.